C-type print.
Exhibiting the photographs of particular components of interiors and exteriors of buildings, you approach the point where the architecture elements are reassembled in a new space; a space where the images enhance and recreate the unstable relation between ...
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C-type print.
Exhibiting the photographs of particular components of interiors and exteriors of buildings, you approach the point where the architecture elements are reassembled in a new space; a space where the images enhance and recreate the unstable relation between the perception of a thing and our reconstruction of the idea of it.
“The Green Room 1+2” seem to blur our vision, while in fact their latent actuality makes us put together a clear image in our own mind. We instinctively know that the indecipherable packet of cigarettes on the side table is indeed a Marlboro, and we feel estranged and yet familiar.
“Motel Room” images mark spaces that are always the same. The only thing individual in a motel room is the individual, everything else is ideal, formal, economical. By finding repetition in those spaces and sending out mixed messages and contradictory cues, the artist reveals the narratives of the stories these non-places produce.
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